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Godha Stuti

॥ गोदास्तुतिः ॥

Sanskrit StotramVedanta Desika, 13th c.29 VersesSri Andal / Bhudevi

What is the Godha Stuti?

Godha Stuti is a 29-verse Sanskrit hymn composed by Swami Vedanta Desika in praise of Sri Andal (Godha Devi), celebrating her as an incarnation of Bhudevi and her union with Lord Ranganatha of Srirangam.

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By the BhaktiRas Editorial Team · Updated

Composed at Srivilliputhur by the Srivaishnava teacher Swami Vedanta Desika, the Godha Stuti is a garland of twenty nine Sanskrit verses in praise of Sri Andal. Nearly every verse plays on the hidden meanings of her name, Godha, weaving speech, earth, and light into a single hymn of surrender.

Godha Stuti Lyrics (Sanskrit & English)

Roman transliteration is shown first with the Devanagari beneath. Tap ‘Meaning’ under any verse for a plain-English explanation.

śrīviṣṇucittakulanandanakalpavallīṁ
śrīraṅgarājaharicandanayogadr̥śyām |
sākṣātkṣamāṁ karuṇayā kamalāmivānyāṁ
godāmananyaśaraṇaḥ śaraṇaṁ prapadye

श्रीविष्णुचित्तकुलनन्दनकल्पवल्लीं
श्रीरङ्गराजहरिचन्दनयोगदृश्याम् ।
साक्षात्क्षमां करुणया कमलामिवान्यां
गोदामनन्यशरणः शरणं प्रपद्ये

Meaning

I, who have no other refuge, take shelter in Goda. She is the wish granting creeper that is the joy of Vishnuchitta's family, lovely in her union with the Lord of Srirangam, forbearance itself in human form, and, through her compassion, another Lakshmi.

vaideśikaḥ śrutigirāmapi bhūyasīnāṁ
varṇeṣu māti mahimā na hi mādr̥śāṁ te |
itthaṁ vidantamapi māṁ sahasaiva gode
maunadruho mukharayanti guṇāstvadīyāḥ

वैदेशिकः श्रुतिगिरामपि भूयसीनां
वर्णेषु माति महिमा न हि मादृशां ते ।
इत्थं विदन्तमपि मां सहसैव गोदे
मौनद्रुहो मुखरयन्ति गुणास्त्वदीयाः

Meaning

Even the abundant hymns of the Veda cannot hold your full greatness in mere syllables, let alone a poet as limited as I am. Yet knowing this, I find your qualities pulling the words out of me anyway, turning even a man sworn to silence into someone who has to speak.

tvatpreyasaḥ śravaṇayoramr̥tāyamānāṁ
tulyāṁ tvadīyamaṇinūpuraśiñjitānām |
gode tvameva janani tvadabhiṣṭavārhāṁ
vācaṁ prasannamadhurāṁ mama saṁvidhehi

त्वत्प्रेयसः श्रवणयोरमृतायमानां
तुल्यां त्वदीयमणिनूपुरशिञ्जितानाम् ।
गोदे त्वमेव जननि त्वदभिष्टवार्हां
वाचं प्रसन्नमधुरां मम संविधेहि

Meaning

O Gode, you alone are my mother; grant me clear, sweet words worthy of praising you, words as delightful to your Beloved's ears as the tinkling of your own jeweled anklets.

kr̥ṣṇānvayena dadhatīṁ yamunānubhāvaṁ
tīrthairyathāvadavagāhya sarasvatīṁ te |
gode vikasvaradhiyāṁ bhavatī kaṭākṣāt
vācaḥ sphuranti makarandamucaḥ kavīnām

कृष्णान्वयेन दधतीं यमुनानुभावं
तीर्थैर्यथावदवगाह्य सरस्वतीं ते ।
गोदे विकस्वरधियां भवती कटाक्षात्
वाचः स्फुरन्ति मकरन्दमुचः कवीनाम्

Meaning

Your words carry the majesty of the Yamuna touched by Krishna, and become a Sarasvati that poets bathe in at her proper, sacred fords. Touched by your glance, O Gode, their minds open like blossoms and honeyed verses pour out of them.

asmādr̥śāmapakr̥tau ciradīkṣitānām
ahnāya devi dayate yadasau mukundaḥ |
tanniścitaṁ niyamitastava maulidāmnā
tantrīninādamadhuraiśca girāṁ nigumphaiḥ

अस्मादृशामपकृतौ चिरदीक्षितानाम्
अह्नाय देवि दयते यदसौ मुकुन्दः ।
तन्निश्चितं नियमितस्तव मौलिदाम्ना
तन्त्रीनिनादमधुरैश्च गिरां निगुम्फैः

Meaning

That Mukunda forgives people like us, long practiced in wrongdoing, so readily. It is certain, O Devi, that this is because he is held by the garland you once wore on your own head, and by your verses, strung together as sweetly as veena music.

śoṇādhare’pi kucayorapi tuṅgabhadrā
vācāṁ pravāhanivahe’pi sarasvatī tvam |
aprākr̥tairapi rasairvirajā svabhāvāt
godā’pi devi kamiturnanu narmadā’si

शोणाधरेऽपि कुचयोरपि तुङ्गभद्रा
वाचां प्रवाहनिवहेऽपि सरस्वती त्वम् ।
अप्राकृतैरपि रसैर्विरजा स्वभावात्
गोदाऽपि देवि कमितुर्ननु नर्मदाऽसि

Meaning

Your name plays on the sacred rivers of India. Your red lower lip and your bosom hold the lofty grace of the Tungabhadra, the ceaseless flow of your words is the Sarasvati, your nature, untouched even by transcendent delight, is the pure Viraja, and are you not, O Goda, also the Narmada, the source of joy, to your divine Beloved?

valmīkataḥ śravaṇato vasudhātmanaste
jāto babhūva sa muniḥ kavisārvabhaumaḥ |
gode kimadbhutamidaṁ yadamī svadante
vaktrāravindamakarandanibhāḥ prabandhāḥ

वल्मीकतः श्रवणतो वसुधात्मनस्ते
जातो बभूव स मुनिः कविसार्वभौमः ।
गोदे किमद्भुतमिदं यदमी स्वदन्ते
वक्त्रारविन्दमकरन्दनिभाः प्रबन्धाः

Meaning

It is no wonder that Valmiki, born of an anthill and so, in a sense, of the earth like you, became the emperor of poets. So why should it seem strange, O Gode, that these verses of mine taste sweet to me, like honey drawn from the lotus of your mouth?

bhoktuṁ tava priyatamaṁ bhavatīva gode
bhaktiṁ nijāṁ praṇayabhāvanayā gr̥ṇantaḥ |
uccāvacairvirahasaṅgamajairudantaiḥ
śr̥ṅgārayanti hr̥dayaṁ guravastvadīyāḥ

भोक्तुं तव प्रियतमं भवतीव गोदे
भक्तिं निजां प्रणयभावनया गृणन्तः ।
उच्चावचैर्विरहसङ्गमजैरुदन्तैः
शृङ्गारयन्ति हृदयं गुरवस्त्वदीयाः

Meaning

To taste what is dearest to you, our teachers describe their own devotion as though they themselves were you, and they fill their hearts with every mood, the ache of separation and the joy of union alike, that your own poetry carries.

mātaḥ samutthitavatīmadhiviṣṇucittaṁ
viśvopajīvyamamr̥taṁ vacasā duhānām |
tāpacchadaṁ himaruceriva mūrtimanyāṁ
santaḥ payodhiduhituḥ sahajāṁ vidustvām

मातः समुत्थितवतीमधिविष्णुचित्तं
विश्वोपजीव्यममृतं वचसा दुहानाम् ।
तापच्छदं हिमरुचेरिव मूर्तिमन्यां
सन्तः पयोधिदुहितुः सहजां विदुस्त्वाम्

Meaning

Wise souls know you, O Mother, who arose in the house of Vishnuchitta, as one whose very words yield an ambrosia the whole world lives on, another embodiment, cool as moonlight, of Lakshmi's own inborn nature.

tātastu te madhubhidaḥ stutileśavaśyāt
karṇāmr̥taiḥ stutiśatairanavāptapūrvam |
tvanmauligandhasubhagāmupahr̥tya mālāṁ
lebhe mahattarapadānuguṇaṁ prasādam

तातस्तु ते मधुभिदः स्तुतिलेशवश्यात्
कर्णामृतैः स्तुतिशतैरनवाप्तपूर्वम् ।
त्वन्मौलिगन्धसुभगामुपहृत्य मालां
लेभे महत्तरपदानुगुणं प्रसादम्

Meaning

Your father won a grace from the Slayer of Madhu that even a hundred exquisite hymns of praise had never earned before, a grace fitting his newly exalted place, simply by offering him the garland already made fragrant on your own head.

digdakṣiṇā’pi paripaktrimapuṇyalabhyāt
sarvottarā bhavati devi tavāvatārāt |
yatraiva raṅgapatinā bahumānapūrvaṁ
nidrālunāpi niyataṁ nihitāḥ kaṭākṣāḥ

दिग्दक्षिणाऽपि परिपक्त्रिमपुण्यलभ्यात्
सर्वोत्तरा भवति देवि तवावतारात् ।
यत्रैव रङ्गपतिना बहुमानपूर्वं
निद्रालुनापि नियतं निहिताः कटाक्षाः

Meaning

The south, a direction reached only through ripened merit, becomes supreme above every other direction, O Devi, because of your descent there, the very place where the ever reclining Lord of Ranga constantly turns his glance, full of high regard.

prāyeṇa devi bhavatīvyapadeśayogāt
godāvarī jagadidaṁ payasā punīte |
yasyāṁ sametya samayeṣu ciraṁ nivāsāt
bhāgīrathīprabhr̥tayo’pi bhavanti puṇyāḥ

प्रायेण देवि भवतीव्यपदेशयोगात्
गोदावरी जगदिदं पयसा पुनीते ।
यस्यां समेत्य समयेषु चिरं निवासात्
भागीरथीप्रभृतयोऽपि भवन्ति पुण्याः

Meaning

It is mainly because her name carries yours, O Devi, that the river Godavari purifies this whole world with her waters. Even the Ganga and rivers like her grow sacred by flowing into the Godavari and resting there through the proper seasons.

nāgeśayaḥ sutanu pakṣirathaḥ kathaṁ te
jātaḥ svayaṁvarapatiḥ puruṣaḥ purāṇaḥ |
evaṁ vidhāḥ samucitaṁ praṇayaṁ bhavatyāḥ
sandarśayanti parihāsagiraḥ sakhīnām

नागेशयः सुतनु पक्षिरथः कथं ते
जातः स्वयंवरपतिः पुरुषः पुराणः ।
एवं विधाः समुचितं प्रणयं भवत्याः
सन्दर्शयन्ति परिहासगिरः सखीनाम्

Meaning

'O graceful one, how did he who rests on the serpent and rides the eagle, the ancient Supreme Person himself, come to be the husband you chose?' Such playful teasing from your friends only reveals how deep and fitting your love for him truly was.

tvadbhuktamālyasurabhīkr̥tacārumauleḥ
hitvā bhujāntaragatāmapi vaijayantīm |
patyustaveśvari mithaḥ pratighātalolāḥ
barhātapatrarucimāracayanti bhr̥ṅgāḥ

त्वद्भुक्तमाल्यसुरभीकृतचारुमौलेः
हित्वा भुजान्तरगतामपि वैजयन्तीम् ।
पत्युस्तवेश्वरि मिथः प्रतिघातलोलाः
बर्हातपत्ररुचिमारचयन्ति भृङ्गाः

Meaning

O Queen, the bees leave even the famed Vaijayanti garland resting between your Lord's arms and swarm instead to the fragrant garland worn first by you, now crowning his head. Jostling each other in their eagerness, they shape themselves into something like a canopy of peacock feathers.

āmodavatyapi sadā hr̥dayaṅgamā’pi
rāgānvitā’pi lalitā’pi guṇottarā’pi |
maulisrajā tava mukundakirīṭabhājā
gode bhavatyadharitā khalu vaijayantī

आमोदवत्यपि सदा हृदयङ्गमाऽपि
रागान्विताऽपि ललिताऽपि गुणोत्तराऽपि ।
मौलिस्रजा तव मुकुन्दकिरीटभाजा
गोदे भवत्यधरिता खलु वैजयन्ती

Meaning

Though the Vaijayanti garland is forever fragrant, deeply captivating, richly colored, graceful, and full of fine qualities, it is still outdone, O Gode, by the simple garland from your own head once it comes to rest on Mukunda's crown.

tvanmaulidāmani vibhoḥ śirasā gr̥hīte
svacchandakalpitasapītirasapramodāḥ |
mañjusvanā madhuliho vidadhuḥ svayaṁ te
svāyaṁvaraṁ kamapi maṅgalatūryaghoṣam

त्वन्मौलिदामनि विभोः शिरसा गृहीते
स्वच्छन्दकल्पितसपीतिरसप्रमोदाः ।
मञ्जुस्वना मधुलिहो विदधुः स्वयं ते
स्वायंवरं कमपि मङ्गलतूर्यघोषम्

Meaning

When the Lord received your head garland upon his own head, the humming bees, drunk with delight at freely tasting its sweetness, struck up on their own a joyous sound like wedding music, as though celebrating a marriage you had chosen yourself.

viśvāsamānarajasā kamalena nābhau
vakṣaḥsthale ca kamalāstanacandanena |
āmodito’pi nigamairvibhuraṅghriyugme
dhatte natena śirasā tava maulimālām

विश्वासमानरजसा कमलेन नाभौ
वक्षःस्थले च कमलास्तनचन्दनेन ।
आमोदितोऽपि निगमैर्विभुरङ्घ्रियुग्मे
धत्ते नतेन शिरसा तव मौलिमालाम्

Meaning

Though the Lord already carries the lotus of all creation at his navel, the fragrance of Lakshmi upon his chest, and the praise of the Vedas at his feet, he still bends his own head low to receive the garland that once crowned yours.

cūḍāpadena parigr̥hya tavottarīyaṁ
mālāmapi tvadalakairadhivāsya dattām |
prāyeṇa raṅgapatireṣa bibharti gode
saubhāgyasampadabhiṣekamahādhikāram

चूडापदेन परिगृह्य तवोत्तरीयं
मालामपि त्वदलकैरधिवास्य दत्ताम् ।
प्रायेण रङ्गपतिरेष बिभर्ति गोदे
सौभाग्यसम्पदभिषेकमहाधिकारम्

Meaning

By accepting your upper cloth as though it were an ornament for his hair, and your garland already made fragrant from resting in your locks, this Lord of Ranga claims, O Gode, the highest right there is: the crowning right over the very wealth of good fortune.

tuṅgairakr̥trimagiraḥ svayamuttamāṅgaiḥ
yaṁ sarvagandha iti sādaramudvahanti |
āmodamanyamadhigacchati mālikābhiḥ
so’pi tvadīyakuṭilālakavāsitābhiḥ

तुङ्गैरकृत्रिमगिरः स्वयमुत्तमाङ्गैः
यं सर्वगन्ध इति सादरमुद्वहन्ति ।
आमोदमन्यमधिगच्छति मालिकाभिः
सोऽपि त्वदीयकुटिलालकवासिताभिः

Meaning

Even he whom the lofty, uncreated Vedas themselves honor with their finest hymns as the very source of all fragrance gains, O Gode, a fragrance still new to him, the scent of garlands perfumed by your own curling locks of hair.

dhanye samastajagatāṁ pituruttamāṅge
tvanmaulimālyabharasambharaṇena bhūyaḥ |
indīvarasrajamivādadhati tvadīyā-
nyākekarāṇi bahumānavilokitāni

धन्ये समस्तजगतां पितुरुत्तमाङ्गे
त्वन्मौलिमाल्यभरसम्भरणेन भूयः ।
इन्दीवरस्रजमिवादधति त्वदीया-
न्याकेकराणि बहुमानविलोकितानि

Meaning

O blessed one, when your garland once again rests upon the exalted head of the father of all the worlds, your own sidelong glances, cast with such deep regard, seem to lay upon him a second garland woven of blue lotuses.

raṅgeśvarasya tava ca praṇayānubandhāt
anyonyamālyaparivr̥ttimabhiṣṭuvantaḥ |
vācālayanti vasudhe rasikāstrilokīṁ
nyūnādhikatvasamatāviṣayairvivādaiḥ

रङ्गेश्वरस्य तव च प्रणयानुबन्धात्
अन्योन्यमाल्यपरिवृत्तिमभिष्टुवन्तः ।
वाचालयन्ति वसुधे रसिकास्त्रिलोकीं
न्यूनाधिकत्वसमताविषयैर्विवादैः

Meaning

O daughter of the earth, because of the bond of mutual love between you and the Lord of Ranga, connoisseurs who praise your exchange of garlands set the three worlds talking, arguing endlessly over whose devotion runs deeper, whose is equal, and whose falls short.

dūrvādalapratimayā tava dehakāntyā
gorocanārucirayā ca tathendirāyāḥ |
āsīdanujjhitaśikhāvalakaṇṭhaśobhaṁ
māṅgalyadaṁ praṇamatāṁ madhuvairigātram

दूर्वादलप्रतिमया तव देहकान्त्या
गोरोचनारुचिरया च तथेन्दिरायाः ।
आसीदनुज्झितशिखावलकण्ठशोभं
माङ्गल्यदं प्रणमतां मधुवैरिगात्रम्

Meaning

Colored green like durva grass by your own bodily radiance, and golden like gorocana by Lakshmi's, the form of the Enemy of Madhu, its throat still graced by the peacock feather it never sets aside, becomes a giver of auspiciousness to everyone who bows before it.

arcyaṁ samarcya niyamairnigamaprasūnaiḥ
nāthaṁ tvayā kamalayā ca sameyivāṁsam |
mātaściraṁ niraviśannijamādhirājyaṁ
mānyā manuprabhr̥tayo’pi mahīkṣitaste

अर्च्यं समर्च्य नियमैर्निगमप्रसूनैः
नाथं त्वया कमलया च समेयिवांसम् ।
मातश्चिरं निरविशन्निजमाधिराज्यं
मान्या मनुप्रभृतयोऽपि महीक्षितस्ते

Meaning

By worshipping, with disciplined rites and offerings drawn from the Veda, that Lord who is joined with both you and Lakshmi, O Mother, even honored kings of the earth, beginning with Manu, have long enjoyed their own supreme sovereignty.

ārdrāparādhini jane’pyabhirakṣaṇārthaṁ
raṅgeśvarasya ramayā vinivedyamāne |
pārśve paratra bhavatī yadi tatra nāsīt
prāyeṇa devi vadanaṁ parivartitaṁ syāt

आर्द्रापराधिनि जनेऽप्यभिरक्षणार्थं
रङ्गेश्वरस्य रमया विनिवेद्यमाने ।
पार्श्वे परत्र भवती यदि तत्र नासीत्
प्रायेण देवि वदनं परिवर्तितं स्यात्

Meaning

When Rama herself pleads at the Lord of Ranga's side on behalf of someone whose wrongdoing is still fresh, if you were not also there interceding, O Devi, his face would very likely turn away in refusal.

gode guṇairapanayan praṇatāparādhān
bhrūkṣepa eva tava bhogarasānukūlaḥ |
karmānubandhi phaladānaratasya bhartuḥ
svātantryadurvyasanamarmabhidā nidānam

गोदे गुणैरपनयन् प्रणतापराधान्
भ्रूक्षेप एव तव भोगरसानुकूलः ।
कर्मानुबन्धि फलदानरतस्य भर्तुः
स्वातन्त्र्यदुर्व्यसनमर्मभिदा निदानम्

Meaning

O Gode, your glance alone, so pleasing to your Lord, wipes away the faults of those who bow to you, and it strikes at the very root of his one flaw: an independence that would otherwise bind him to giving results strictly according to each soul's karma.

raṅge taṭidguṇavato ramayaiva gode
kr̥ṣṇāmbudasya ghaṭitāṁ kr̥payā suvr̥ṣṭyā |
daurgatyadurviṣavināśasudhānadīṁ tvāṁ
santaḥ prapadya śamayantyacireṇa tāpān

रङ्गे तटिद्गुणवतो रमयैव गोदे
कृष्णाम्बुदस्य घटितां कृपया सुवृष्ट्या ।
दौर्गत्यदुर्विषविनाशसुधानदीं त्वां
सन्तः प्रपद्य शमयन्त्यचिरेण तापान्

Meaning

In Srirangam, formed by the gracious rain of mercy from the dark cloud that is Krishna, and lit within it by Rama like lightning, you alone, O Gode, become the river of nectar that destroys the poison of misfortune. Wise souls who take refuge in you find their sorrows put to rest without delay.

jātāparādhamapi māmanukampya gode
goptrī yadi tvamasi yuktamidaṁ bhavatyāḥ |
vātsalyanirbharatayā jananī kumāraṁ
stanyena vardhayati daṣṭapayodharā’pi

जातापराधमपि मामनुकम्प्य गोदे
गोप्त्री यदि त्वमसि युक्तमिदं भवत्याः ।
वात्सल्यनिर्भरतया जननी कुमारं
स्तन्येन वर्धयति दष्टपयोधराऽपि

Meaning

O Gode, if you show compassion even to me, who has already done wrong, and still remain my protector, that is only fitting for you. After all, out of sheer motherly love, a mother goes on nursing her child even while it bites at her breast.

śatamakhamaṇinīlā cāru kalhārahastā
stanabharanamitāṅgī sāndravātsalyasindhuḥ |
alakavinihitābhiḥ sragbharākr̥ṣṭanāthā
vilasatu hr̥di godā viṣṇucittātmajā naḥ

शतमखमणिनीला चारु कल्हारहस्ता
स्तनभरनमिताङ्गी सान्द्रवात्सल्यसिन्धुः ।
अलकविनिहिताभिः स्रग्भराकृष्टनाथा
विलसतु हृदि गोदा विष्णुचित्तात्मजा नः

Meaning

Dark and lustrous like a sapphire, holding a lovely red lily in her hand, her figure gently bent under the weight of her own bosom, an ocean of deep motherly love, drawing her Lord close through the garlands woven into her hair, may Goda, daughter of Vishnuchitta, shine forever in our hearts.

Phalashruti

iti vikasitabhakterutthatāṁ veṅkaṭeśāt
bahuguṇaramaṇīyāṁ vakti godāstutiṁ yaḥ |
sa bhavati bahumānyaḥ śrīmato raṅgabhartuḥ
caraṇakamalasevāṁ śāśvatīmabhyupaiṣyan

इति विकसितभक्तेरुत्थतां वेङ्कटेशात्
बहुगुणरमणीयां वक्ति गोदास्तुतिं यः ।
स भवति बहुमान्यः श्रीमतो रङ्गभर्तुः
चरणकमलसेवां शाश्वतीमभ्युपैष्यन्

Meaning

Whoever recites this Godastuti, born from Vedanta Desika's blossoming devotion and rich with many virtues, will be held in high honor and will in time attain the eternal service of the lotus feet of the glorious Lord of Ranga.

What Does the Godha Stuti Mean?

The hymn opens with Desika taking refuge in Andal with no other shelter, and from there it keeps circling back to one idea: her name, Godha, is not decorative. In Sanskrit the root ‘go’ can mean speech, the earth, cattle, or light, and ‘dā’ means one who gives. Almost every verse finds a fresh way to show her giving one of these, granting the poet clear words, standing in as Bhudevi’s own patience, or casting a light that draws even the Lord of Srirangam toward her.

A long stretch through the middle of the hymn praises Andal’s own poetry, her Tamil hymns Tiruppavai and Nachiyar Tirumozhi, comparing her words to sacred rivers and to nectar that trained poets cannot resist tasting. Desika returns again and again to the garland she wore and then offered to Ranganatha, a small domestic detail that, in his hands, becomes proof that the Lord treasures her personal devotion above every formal ornament he owns.

Underneath the poetry sits a serious theological claim central to Srivaishnava thought: Andal, as an incarnation of Bhudevi, acts as purushakara, the mediator who softens the Lord’s strict justice into forgiving grace. Several verses argue, sometimes playfully, that even Lakshmi’s own pleading might not be enough without Andal’s quiet intercession alongside it. The hymn closes with a verse picturing Andal enthroned in the devotee’s heart, followed by a phalashruti that promises anyone who recites these verses a share in her Lord’s eternal service.

How Do You Chant the Godha Stuti?

Best timeEarly morning before sunrise, ideally during Brahma Muhurta
Best daysThe Tamil month of Margazhi (mid-December to mid-January), Purvaphalguni (Pooram) star days, and Fridays
OccasionDaily japa, and especially when seeking a good, happy marriage
  1. Bathe and settle in – wash and wear clean clothes, then sit facing east or north on a clean mat or seat.
  2. Face Andal, or her picture – light a lamp and place a fresh flower or a little incense before the image if you have one.
  3. Recite with attention, not haste – read each verse slowly enough to follow its meaning rather than rushing through the Sanskrit.
  4. Close with the phalashruti – finish with verse 29 and pause in silent gratitude before you rise.

What Are the Benefits of Chanting the Godha Stuti?

Tradition credits sincere, regular recitation of this hymn with four main fruits.

  • Steadies devotion: regular recitation is said to deepen bhakti and settle the mind.
  • Blesses marriage prospects: unmarried women traditionally recite it seeking a righteous, loving spouse, following Andal's own story.
  • Draws a shared blessing: because the hymn addresses Andal in her union with Ranganatha, it is believed to invoke both of their blessings together.
  • Builds patience and compassion: meditating on Andal as an embodiment of Bhudevi's forbearance is said to cultivate the same qualities in the reciter.

Where Does the Godha Stuti Come From?

Swami Vedanta Desika, one of the most influential acharyas of the Srivaishnava tradition, composed the Godha Stuti sometime in the thirteenth century while at Srivilliputhur, the town where Andal is said to have been found as an infant beneath a tulsi plant. Tradition holds that he wrote it after standing before her shrine, moved by the sight of her deity form placed beside that of Ranganatha.

The stotra belongs to a small, tightly built group of Desika’s Sanskrit poems that lean hard on shlesha, deliberate double meanings packed into single words, and on stringing together the names of sacred rivers, mountains, and Vedic ideas around one deity. It sits alongside his other stotras, such as the Dayashataka and the Hayagriva Stotra, as an example of how he folded serious Vedantic argument into devotional verse rather than treating the two as separate work.

Frequently Asked Questions

What does the name Godha mean?

In Sanskrit, the syllable 'go' carries several senses at once: speech, the earth, cattle, and light. 'Dha' means the one who gives. Put together, Godha describes her as the giver of pure speech, the protector of the earth, and the one who leads devotees toward spiritual light, all bound up in a single name.

Who wrote the Godha Stuti and when?

Swami Vedanta Desika composed it in the thirteenth century at Srivilliputhur, Andal's birthplace, after being struck by the sight of her deity form there.

Can anyone recite the Godha Stuti?

Yes. Anyone with devotion is welcome to recite it. It is especially popular among young women praying for a good marriage, since it draws on Andal's own story, but Srivaishnava households recite it more broadly as an expression of surrender to her.

Why does the hymn keep mentioning rivers and mountains?

Several verses build on shlesha, a wordplay technique Desika favored, where a single word can point to a river name, a place, and a quality of Andal all at once. Verse 6, for instance, layers the names Tungabhadra, Sarasvati, Viraja, and Narmada onto her body and speech in a single breath.

What is the phalashruti verse in this hymn?

Verse 29 is the phalashruti. It names the hymn as Godastuti directly and promises that whoever recites it, born as it is from Desika's own devotion, will be held in high regard and will in time attain eternal service at the lotus feet of Ranganatha.

Is the Godha Stuti connected to the Tiruppavai?

Indirectly, yes. Several verses, particularly 2 through 4, praise Andal's own Tamil compositions, the Tiruppavai and the Nachiyar Tirumozhi, comparing her words to sacred rivers and to honey that poets cannot help but taste. The Godha Stuti is Desika's Sanskrit tribute to the poet-saint behind those Tamil hymns.

॥ श्री गोदा देव्यै नमः ॥